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cherry casino and the gamblers discography The band were one of a small number of trad bands in New York and only Ken was a full-time musician.
Released as EKL-201-X in the short-lived 'X' stereo series.
On these few early stereo discs the stereo 'sticker' was in fact printed into the sleeve design.
I don't know whether any copies were pressed with the number EKS 7099 - it does have the feel of an afterthought - but you can see why the label would want to regularise their numbering system even if the discs never bore the numbers used.
Or at least they would have been stickered.
This is the way all stereo discs were cut and ensures that a conventional mono pick-up would play the sum of the left and right channels.
Released in Stereo on Elektra EKL 202-X.
Stereo reel-to-reel version issued by Livingstone tapes has fewer tracks but adds 'Avant de Mourir'.
The disc was issed under license from Livingstone.
Also released as EKL 203-X in Stereo.
Licensed from Livingstone Audio Products.
Despite the name, this bunch were Austrian and the sleeve design, by Bill Harvey, has a nod in the direction of Gerard Hoffnung, a musical humourist, writer and cartoonist who produced the unlikely-named 'Interplanetary Music Festival' concerts and albums in the mid-late 1956 and 1958 for Columbia Records EMI in the UK.
The sleeve features a dramatic line drawing of Josh singing and playing guitar and was drawn by Bill Harvey based on a photo taken by Jac Holzman at the recording session for the album in 1955.
Earliest cherry casino and the gamblers discography use the script Elektra logo on the label, that predates even the 'Atom' version.
Later copies exist labelled 'Stereo' but are in fact mono: the known variant like this has a red E label design.
Several of the early Elektra abums were issued by another company under the imprimateur of 'Music Treasures of the World' and this one was presumably the first with catalogue number MT-901.
The earlier show Theo riding a Vespa scooter presumably Jac Holzman's famous New York transport superimposed on a map of Europe.
The more recent feature a colour photo of Theo.
I've heard rumours of a stereo version but not seen it in catalogues.
This kept the playing area away from the label and therefore avoided the lower linear playing speed and potential distortion caused by a non-parallel playback arm that increases towards the centre of a disc.
Time Magazine's web site - - has record reviews amongst its collection and in the edition of August 27th 1956 the reviewer says of this LP: 'An aptly titled album, containing mostly virtuosic paraphrases of Fledermaus, Rigoletto and arrangements of orchestral pieces Danse Macabre, Hungarian Rhapsody 2done up with plenty of fireworks and a gratifying portion of delicacy and taste'.
Two cover variations: the earlier is a drawing featuring a man and a woman with an inset 'woodcut' of Adam and This web page with the serpent.
Continuing this theme, the more recent variation has a photo of a nude woman reaching for an apple, seen through frosted glass.
The earlier version has 'Caligraphy' labels rather than 'Atom' or later and was probably only available for a short time.
This, and the succeding volumes, were based on 'Songs of Wit and Mirth' or 'Pills to Purge Melancholy' edited by Thomas D'Urfey and printed in London in 1719.
The earlier was based on line drawings by Bill Harvey but more recent copies use a photo of pseudo-medieval 'dudes in tights' including Jac Holzman in one of his Hitchcockian cover-cameos.
The ornate script used for the first version has led to the album title being mistaken for 'Defiance' and even 'Daffiance' in listings.
In a similar typographical oddity, the letter 'd' of 'maidens', on all the discs in the series, is actually the letters 'c' and 'l' close together.
Incidentally, Xtra a Transatlantic Records label in the UK issued a boxed set of Dalliance bringing together vols 1 and 3.
I mention this because of the cheesy cover, featuring a bonny lass biting an apple while perched on a cannon outside the Tower of London.
The two discs had initially been issued in the UK as Transatlantic TRA 115 and 119.
For Elektra this was a very successful series a cash-cow even since, as with most folk music, there were no composer royalties to pay.
The Dalliance series, Theo Bikel's albums and the military songs of Oscar Brand helped to give Elektra the financial security that enabled Jac Holzman to take risks with innovative material later.
Stereo tape also issued EL 7-2 BN with fewer tracks: 'Woman Sure Is A Curious Critter', 'Ball and Chain Blues', and 'So Soon In The Mornin' were omitted.
The tape was entitled 'Josh White Sings the Blues.
In fact there are two 'editions' of the disc.
The first has a relatively plain cover with cut-out photos of the band and does not have a sleeve title.
The later edition features a cover photo showing a nude woman in a forest Eve?
The name of the group had also changed from 'Quartet' to 'Ensemble'.
Also released on stereo tape.
This was one of a number of discs that Elektra licensed on to Savoy Records and it became Savoy MG 12172.
Some catalogues said a stereo disc was released but this may be spurious.
There is something odd about the sleeve design, with its white box containing Susan's name on the left.
I wonder what there was under the box that needed covering up.
The stereo LP is probably from a different session to the mono to be confirmed when I get source to checking the LPs.
There are two versions of the cover: one featuring a multi-exposure shot of Sabicas playing the guitar, making his hands seem a blur.
Later copies use a generic Sabicas cover with a guitar on a chair and some of these add a'Volume 1' subtitle.
Stereo tape also issued.
Stereo version released on reel-to-reel tape : ELEKTRATAPE 7-7 and on stereo disc as EKL 118-X and maybe 218-X.
This was, with the Trinidad Steel Band LP, Elekta's first stereo LP release, on June 1st 1958.
This album was one of a number of discs that Elektra licensed on to Savoy Records and it became Savoy MG 12175 and with the sleeve just click for source "Gone Native".
However, four of the tracks on the 10-inch discs were not included: 'I Wash my Face' and 'Wandering' from EKL19 and 'L'amour de Moy' and 'En Revenant De Versailles' from EKL29.
Incidentally, there is an Abbaye club in Rue Jakob just back from the left bank near Notre Dame but more info 'real one' was behind the abbey church of St Germain des Prés.
Gordon Heath and Lee Payant were gay American actors who had settled in Paris.
Heath had been a successful Broadway actor and was also reportedly the first African-American staff announcer on a major US radio station WMCA in New York.
Even after the duo acquired the club in 1949, they continued to act.
Heath's roles included Shakespeare for the BBC and the narration for the classic animation of 'Animal Farm'.
More on Gordon Heath at and.
Payant is better-known as a voice-over artists being the voice of Robinson Crusoe in the English-language version of a French TV series for example and a director.
His IMDB entry is at.
Also available in Stereo as EKL 220-X EKL 120-X and on stereo tape. is a difference between the mono and stereo track listings, with 'Study in Rhythm' being only on the stereo release and 'Reflections Of Buhainia' only on the mono.
Both tracks appeared on the Savoy CD reissue fl casino the trips from villages the album.
Buhainia is Blakey's Muslim name.
This was one of a number of discs that Elektra licensed on to Savoy Records and it became Savoy MG 12171.
The 'Fantasia Inca' particularly is removed from what we might conventionally think of as Flamenco, as is 'Czardas'.
But Sabicas, as the sleeve notes tell us, is a gypsy, and Czardas is a gypsy tune.
On five of these tracks Sabicas double-tracks his guitar and it's a pity this album is not available in stereo to take advantage of this.
The covers include a version of the 'multiple hands' photo and two variations on the 'guitar on a chair' image.
Appalacians" and each side is labelled differently.
The Ritchie and Brand tracks come from EKL 22 and the Paley tracks come from EKL 12.
So a statement saying 'Copyright 1957' is not actually correct.
Sleeve says 'Story of John Henry' on the front and back but '25th Anniversary Album' on the spine.
The cover takes Bill Harvey's dramatic drawing of the man with the sledge-hammer used on the cover of the original and adds a coloured background.
Two variations of cover known but both with the same drawing.
The earlier has the words 'Josh White' big across the top and the older-style Elektra text logo cherry casino and the gamblers discography way down on the left.
The later cover has the guitar player logo at the top and Josh's name moved down over the drawing.
The earlier colours are also more muted than the saturated red and yellow of the later version.
The earlier sleeve design features a montage of 'sinful' images whereas the later design is basically black with a lighter central strip for the title.
Some copies do cherry casino and the gamblers discography have a sleeve title.
There are two cover variations with the photo of Jean on the this web page including a background on some and with this background cut out on others.
Lawless does not list the last three tracks, but includes 'Devil and the Farmer's Wife'.
Two sleeve designs exist: one the line drawing as used on the ten-inch version EKL 26 but rotated about 30 degrees and inset: later copies feature a photograph.
I believe that a stereo version of this LP was released in Japan.
The one shown here, which has the sleeve title 'Mr Calypso' on the front only, and one with a photograph showing an assortment of drums and a dancer, which is entitled simply 'Calypso'.
The photograph version is probably the earlier.
Most of these tracks are also article source EKLP 11.
This original version of the album uses tracks from EKL 32 with new ones added.
The instrumentation was simple on the first recording, with Theo singing sometimes double-tracked and playing guitar and with occasional 'ethnic' drums.
For the second version there is a fuller arrangement including proper bass and a flute.
The stereo version of the album was described as the '2nd Edition' and the matrix is inscribed this way.
The new version was recorded in 1961 according to Theo's new sleeve notes.
The track order differs between the two editions the one given here is for the first edition and the English transliteration differs slightly too: for example 'Layla' in the second edition was 'Lyla' in the first edition and on EKL 32.
I have a supposedly mono version of the second edition, or perhaps more accurately a later first edition mono disc in a second edition cover.
I have no idea whether this is a one-off or not, but the stereo version had faded away agin by the late 60s and we were back to the first one in mono although the new transliterations were kept.
While the cover of the 10-inch edition of the disc featured a line drawing and emphasised the album's title over Theodore Bikel's play the magic flute slot, by now Theo was a big-enough draw to deserve better billing.
For the new sleeve the drawing was replaced by a photo of a girl in work clothes, marching happily across a field with a hoe over her shoulder.
This was an image of a new Israel to replace what seems like a snake charmer on the original.
Elektra received many enquires asking who the girl was and what kibbutz she was on.
In fact she was a model and the field was in Long Island.
Elektra's function as a match-maker was therefore short-lived.
The notes are ambiguous as to whether the songs were re-recorded for the Elektra version or the original tapes were remastered.
The original LP was numbered 5248 without any label branding and has a different cover to the Elektra issue.
The tracks seem to be the same I've seen a listing but not listened to the LP except that the first track on side two is called 'La Route de Louviers' on the label and 'Le Cantonnier' on the sleeve.
The song is about a roadmender and the state of the roads near the town of Louviers and the word cantonnier translates to 'a labourer on a road or railway' in English.
In the notes to cars the bandit slot Rhino compilation of Tom Lehrer's recordings, Tom credits Shep with advising him on the early Lehrer albums, which were also private recordings.
The other musicians are Julius Watkins, David Amram, Fred Klein and Tony Miranda on french horns, Milt Hinton on bass and Osie Johnson on drums.
Also released in Stereo as EKL 234-X and on stereo tape; tape release was December 1st 1957.
This was one of a number of discs that Elektra licensed on to Savoy Records and it became Savoy MG 12173.
It may be that the title and photo intimated that this was a game beat roulette the of and roll album rather than folk.
This recording was admitted to be 'a distinct departure for Elektra' in moving away from traditional folk.
On various tracks Glenn is accompanied by a chorus and orchestra, by the Shanty Boys described as a skiffle groupJosh White and by himself.
Glenn was a contemporary of Jac Holzman at St John's College in Maryland and the first ever Holzman record - a 78 on Stratford Records - was of Glenn singing 'Follow the Drinking Gourd'.
This disc is one of the rarities and features another nicely observed photographic device - on a par with the Sabicas hands shot.
Presumably lights on the ends of Teddy's hammers provide the trails as he plays the vibraphone.
The trails were recorded in darkness on a time exposure and the shot was finished off with a burst of flash.
The sleeve notes say that the recordings were made using just two bi-directional ribbon microphones noting that this kind of microphone was 'generally considered obsolete' at the time.
Not in the BBC they weren't!
Also issued on stereo tape on December 1st 1957, but the only copy of that I've seen was titled 'Vibe-Rations' and only visit web page two tracks: 'Old Devil Moon' and 'Skylark'.
This was one of a number of discs that Elektra licensed on to Savoy Records and it became Savoy MG 12174.
A stereo version - EKL 137-X - is unconfirmed and perhaps spurious although there is a stereo version of 'A Maid Goin' to Comber' on SMP-4X, 'Around the World in Stereo', and the sleeve of that sampler mentions the stereo copy of 137.
The situation is further confused by my version 2 having seven tracks on side two disc but eight listed on the label.
Also released in Stereo as EKL 239-X version 1.
This LP was cited in Billboard as being Elektra's first stereo LP release with 118 on June 1st 1958 and had already been released on stereo tape on December 1st 1957.
Instead of 'The Merchant and the Fidler's Wife', Lawless lists 'Young Stephen and Phillis'.
The cover exists with both light and very dark blue backgrounds to the main picture.
The light blue is probably the earlier.
The poster lists the Yiddish song titles in Hebrew script but the boy, to whom Theo is talking, was actually Puerto Rican.
As the cover photo show, the Cherry casino and the gamblers discography is an up-turned washtub to which is attached a broom handle and a piece of string.
This kind of bass was a staple of 'skiffle' folk groups in the early 50s.
However, the Shanties are not skiffle as they don't have a washboard and the banjo is picked rather than strummed.
This, the sleeve notes tell us, they used to do on the deck of their yacht 'Raven' when anchored offshore.
It's unashamedly 'coffee lounge' folk rather than the trad stuff, much as Nina and Frederik made popular in Europe at about the same time: but it's beautifully crafted and - as with the opening track - often great fun.
Gene's sleeve notes comment: '.
A stereo version was supposed to have been issued as EKL 144-X according to the sleeve of the 'Around the World in Stereo' sampler, which includes a stereo version of 'Il est Petit', but I haven't come across any trace of it.
Gene was the writer of 'Those Were the Days', which was a hit for Mary Hopkin in the early days of Apple Records.
Musical director: Fred Hellerman.
Unlike Theo Bikel's 'Folk Songs of Israel', the songs sung cherry casino and the gamblers discography the Troupe are 'new', like the Israeli state itself at the time.
The sleeve notes by Amita Neeman and Dov Seltzer comment that this music is not what might be called folk song at all, because 'many of the composers are known and still alive'.
But as they continue: 'Already these songs are the property of the people'.
Two sleeve variations known: both feature the same photo but the original is taken against a blue background cyc whereas on later ones the background has been cut out.
Also issued in Stereo as EKL 146-X.
Engineered the audio that is by Leonard Ripley and with Paul playing guitar and Bob Yellin on banjo and cithern.
Matrix has EKL 149 crossed out which could be an error or could be a change in the catalogue number.
Additional guitar from Fred Hellerman.
Also released in Stereo as EKL 249-X Copyright © 2014-2019 Andy Finney :: Contact telephone 01733 571 473 ::. cherry casino and the gamblers discography cherry casino and the gamblers discography cherry casino and the gamblers discography cherry casino and the gamblers discography cherry casino and the gamblers discography cherry casino and the gamblers discography

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